完整的英文指南將帶您了解發音、拼字以及語言的基礎構成——為您最初幾週的學習提供清晰的路線圖,並指出應避免的常見錯誤。
閃卡 學習牌組 — 開啟資料夾以練習卡片。 13
一種語言的文學並不侷限於一個國家。下面每個時期都標出該語言作為母語的地區,並附上幾部足以代表整個時代的作品。
700–1500 古英語與中古英語 英格蘭與盎格魯-撒克遜諸王國
古英語與今日英語相去甚遠,須當作外語來學。一〇六六年諾曼征服之後法語大量湧入,英語失去了多數屈折變化——這正是今日英語語法簡單而詞彙量倍增的原因。
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Beowulf
Anonymous · c. 900
古英語史詩,寫一位屠怪者最終死於與龍的搏鬥。僅存一部手稿,一七三一年險些焚毀。
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The Canterbury Tales
Geoffrey Chaucer · c. 1400
三十位朝聖者在路上講故事。喬叟選擇用英語而非法語或拉丁語寫作,這一選擇決定了一整個文學的命運。
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Sir Gawain and the Green Knight
Anonymous · c. 1400
一位騎士接受了一個遊戲:一年之後要讓陌生人砍下自己的頭。頭韻詩最嚴整的一面。
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Piers Plowman
William Langland · c. 1380
一場夢境,起初是宗教寓言,後來變成對地主、律師和教會的攻擊。一三八一年起義中被人引用。
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The Book of Margery Kempe
Margery Kempe · c. 1438
英語中第一部自傳,由一位不會寫字、生了十四個孩子的釀酒女口述,她常在教堂裡放聲痛哭。
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Revelations of Divine Love
Julian of Norwich · c. 1395
現存最早由女性用英語寫的書,作者是一位在一間小室裡住了數十年的隱修女,她的結論是:一切終將安好。
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Le Morte d'Arthur
Sir Thomas Malory · 1485
亞瑟王傳說被彙編成一部書,大半寫於獄中。此後所有的亞瑟王都要經過這裡。
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The Dream of the Rood
Anonymous · c. 750
十字架自己開口,把受難說成一場它不得不參與的戰鬥。其中一段刻在蘇格蘭的一塊石頭上。
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The Wanderer
Anonymous · c. 900
一個活得比主君和同伴都久的人,問馬去了哪裡,騎馬的人去了哪裡。古英語最蒼涼也最好的時刻。
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The Owl and the Nightingale
Anonymous · c. 1200
兩隻鳥沒完沒了地爭誰更有用。英語第一首偉大的喜劇詩,到今天還好笑。
1500–1674 英國文藝復興 伊麗莎白與斯圖亞特時期的英格蘭
大約七十年間,產出了人們提到英國文學時所指的大部分內容。戲劇是那個時代的大眾媒介,同時寫給站在場中的文盲與坐在樓上的士紳。
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Hamlet
William Shakespeare · c. 1601
有史以來上演與爭論最多的劇作。莎士比亞為英語留下數千個日用而不知其來處的說法。
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Paradise Lost
John Milton · 1667
寫人類墮落的史詩,作者全盲後口授而成。詩中的撒旦太有魅力,引發了三個世紀的爭論。
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King Lear
William Shakespeare · c. 1606
老國王讓女兒們說出各自愛他多少,據此分割王國。有一百五十年裡它都被改成大團圓上演,因為觀眾受不了真正的結局。
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Sonnets
William Shakespeare · 1609
一百五十四首詩,多數寫給一位年輕男子,出版時的排序誰也不確定是不是作者定的。
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Doctor Faustus
Christopher Marlowe · c. 1592
一個學者用靈魂換二十四年的知識與權力,卻把大半時間花在惡作劇上。在莎士比亞精通之前的無韻詩。
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The Faerie Queene
Edmund Spenser · 1590 · 1596
一部龐大的寓言史詩,用專為它發明的詩節寫成,一半是奉承伊麗莎白一世,一半是替英國人在愛爾蘭的作為辯解。
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Utopia
Thomas More · 1516
一座沒有私產的島,描述它的人後來因不肯屈從而被砍頭。這本書把「烏托邦」這個詞給了所有語言。
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Essays
Francis Bacon · 1597–1625
關於婚姻、園林、野心與復仇的短文,句子緊到有一半後來成了諺語。
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The Duchess of Malfi
John Webster · 1614
一位寡婦嫁給了自己的管家,兄弟們為此毀掉她。復仇悲劇中最黑的一部,臨終台詞也最好。
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Holy Sonnets
John Donne · 1633
用跟房東吵架的口氣跟上帝爭辯的詩,作者是位牧師,早年寫過那個世紀最情色的詩。
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The King James Bible
Committee of translators · 1611
五十四位學者以委員會的方式,寫出了英語史上影響最大的散文,主要辦法是保留威廉·廷代爾已經譯好的部分。
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Volpone
Ben Jonson · 1606
一個富人裝作快死了,好讓貪心的訪客帶禮物來。一部裡面沒有任何一個討喜角色的喜劇。
1700–1837 小說的興起與浪漫主義 英格蘭、蘇格蘭與愛爾蘭
識字的中產階級為一種新文體造出了市場:寫普通人的散文小說。與此同時,詩歌背離啟蒙的理性,轉向情感、自然與個體。
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Gulliver's Travels
Jonathan Swift · 1726
一位愛爾蘭人寫的書,被誤當作童話讀了三百年。它其實是對政治與人性的辛辣諷刺。
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Pride and Prejudice
Jane Austen · 1813
奧斯汀發明了在第三人稱中滑入人物內心的寫法——此後幾乎每一部小說都在用。
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Songs of Innocence and of Experience
William Blake · 1794
詩與作者親手一冊冊刻印的版畫同頁。語言淺白如童謠,思想卻全然不是。
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Robinson Crusoe
Daniel Defoe · 1719
一個漂流者把自己擁有的和做過的一切都記成清單。常被稱為第一部英國小說,讀起來像本帳簿。
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Clarissa
Samuel Richardson · 1748
一百萬字的書信,一個年輕女子被一個不接受拒絕的男人慢慢毀掉。大概是英語最長的小說。
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Tom Jones
Henry Fielding · 1749
一個棄兒走遍英格蘭,幾乎犯盡了所有可能犯的錯。小說在這裡發現自己可以是好笑的。
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The Life and Opinions of Tristram Shandy
Laurence Sterne · 1759–1767
敘述者用了三卷才把自己生下來,書裡還有一頁全黑、一頁全白和一張情節走勢圖。實驗小說,一七五九年。
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A Vindication of the Rights of Woman
Mary Wollstonecraft · 1792
主張女性看上去愚昧,是因為她們被教育成那樣。寫於法國人宣布人權、卻忘了另一半人的兩年之後。
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Lyrical Ballads
William Wordsworth and S. T. Coleridge · 1798
兩個朋友決定,詩應該用人們真正說的話來寫。英國浪漫主義就從這本書出版那天開始。
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Frankenstein
Mary Shelley · 1818
十八歲時因一場雨天假期的鬼故事比賽而寫。第一部科幻小說,而讀書的那一個是怪物。
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Ode to a Nightingale
John Keats · 1819
一個早晨在花園裡寫下的八節詩,作者看著弟弟死於肺結核,自己二十五歲也死於同一種病。
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Don Juan
Lord Byron · 1819–1824
一萬六千行的喜劇史詩,那位著名的浪子多半是被勾引的一方。未完成,因為作者去希臘參戰並死在那裡。
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Waverley
Sir Walter Scott · 1814
一名英格蘭軍官被捲入一七四五年的雅各布派起義。這本書發明了歷史小說這一體裁,也讓蘇格蘭變得浪漫。
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Confessions of an English Opium-Eater
Thomas De Quincey · 1821
第一部現代成癮回憶錄,也是英語散文第一次試著把夢在裡面的感覺寫下來。
1837–1901 維多利亞時代 英國及其帝國
工業化造出了城市、都市貧困與龐大的讀者群。小說按月連載,因此每期都得留下懸念——這也正是它得以抵達勞動者手中的原因。
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Great Expectations
Charles Dickens · 1861
狄更斯在世時是全世界最著名的作家,而他把這份名聲用來逼英國正視自己的窮人。
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Middlemarch
George Eliot · 1872
瑪麗·安·埃文斯用男性筆名才被認真對待。這本書常被稱為最偉大的英語小說。
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Wuthering Heights
Emily Brontë · 1847
作者唯一的小說,寫於約克郡偏遠的荒原,比同時代任何作品都更為殘酷。
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Jane Eyre
Charlotte Brontë · 1847
一個家庭教師堅持要被平等對待。這是英語第一部讓一個相貌平常的女人用第一人稱說話並且贏的小說。
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Bleak House
Charles Dickens · 1853
一樁打得太久的官司,最後把它所爭的那份家產吃光了。兩個敘述者,其中一個用現在時,那時幾乎沒人這麼寫。
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Vanity Fair
William Makepeace Thackeray · 1848
副標題是「沒有英雄的小說」,而且名副其實。貝姬·夏普全憑膽量爬上攝政時期的上流社會。
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North and South
Elizabeth Gaskell · 1855
南方牧師的女兒搬到工廠小鎮,不得不弄清自己對罷工究竟怎麼想。工業小說裡最公道的一部。
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Tess of the d'Urbervilles
Thomas Hardy · 1891
副標題是「一個純潔的女人」,正是這句話惹惱了讀者。評論的敵意大到作者從此不再寫小說。
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Alice's Adventures in Wonderland
Lewis Carroll · 1865
在一次划船途中為一個真實的十歲女孩即興編出來,也是第一本通篇沒有道德教訓的英語童書。
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The Picture of Dorian Gray
Oscar Wilde · 1890
畫像變老,畫中人卻不變。出版商以有傷風化為由大量刪節,這本書後來還成了作者受審時的證據。
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The Importance of Being Earnest
Oscar Wilde · 1895
兩個男人編出並不存在的親戚,好推掉各種約會。大概是英語戲劇裡金句密度最高的一部。
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The Strange Case of Dr Jekyll and Mr Hyde
Robert Louis Stevenson · 1886
三天寫完,燒掉,再用三天重寫。這兩個名字成了英語裡「人格分裂」的標準說法。
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Dracula
Bram Stoker · 1897
全書由書信、日記、電報和剪報拼成。一部用當時最新技術組裝起來的恐怖小說。
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In Memoriam A.H.H.
Alfred, Lord Tennyson · 1850
為一位二十二歲去世的朋友哀悼了十七年,也是維多利亞信仰與新興地質學公開角力的那首詩。
1900–1945 現代主義 英國、愛爾蘭,以及旅居歐洲的美國人
第一次世界大戰後,十九世紀的小說形式看來已不足以承載這個世界。作家們打碎時序,寫意識的流動,讓讀者自己把故事拼回去。
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Ulysses
James Joyce · 1922
愛爾蘭。都柏林的一天,用作者所能想出的每一種文體寫成。曾因猥褻在英美兩國被禁十餘年。
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Mrs Dalloway
Virginia Woolf · 1925
同樣是一天,發生在倫敦。吳爾芙讓意識在句子中途從一個人滑向另一個人,由此創造出書寫內心的新方法。
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The Waste Land
T. S. Eliot · 1922
一首由數種語言與文學的碎片拼成的長詩,作者是旅居倫敦的美國人。
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To the Lighthouse
Virginia Woolf · 1927
一次出遊被推遲,十年在二十頁裡過去,出遊終於成行。中間那一部分是她寫過最大膽的東西。
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A Portrait of the Artist as a Young Man
James Joyce · 1916
文字隨著男孩一起長大,開頭是牙牙學語,結尾是日記。整套技法在一本書裡演示完畢。
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Heart of Darkness
Joseph Conrad · 1902
一次溯剛果河而上的旅程,作者是位波蘭人,用的是他的第三語言。欽努阿·阿契貝說它種族主義,而這場爭論如今已是閱讀它的一部分。
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Howards End
E. M. Forster · 1910
兩個家庭和一座房子,還有那句「只要連接」,而整部小說隨後把這句話一路試到崩潰。
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A Passage to India
E. M. Forster · 1924
山洞裡也許發生了什麼,也許沒有,而帝國承受不了這份不確定。此後他再沒寫過小說。
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Sons and Lovers
D. H. Lawrence · 1913
礦工的兒子在母親還活著時無法去愛一個女人。第一部從工人階級內部寫出來的重要英國小說。
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The Good Soldier
Ford Madox Ford · 1915
一個什麼都沒弄懂的敘述者,顛三倒四地講兩樁婚姻,講的全是他力不能及的事。最出色的不可靠敘述者。
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The Tower
W. B. Yeats · 1928
六十多歲寫的詩,比年輕時寫的更硬也更奇。證明一個詩人可以進步五十年。
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Brave New World
Aldous Huxley · 1932
一種靠給人們想要的東西來運作的獨裁。這部反烏托邦比那部更有名的老得更準。
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Four Quartets
T. S. Eliot · 1943
四首關於時間的長詩,部分寫於倫敦大轟炸期間,也是他自認最好的作品。
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Testament of Youth
Vera Brittain · 1933
一位護士在一戰中失去未婚夫、弟弟和他們所有的朋友,然後從活下來的那一邊把這場戰爭寫了下來。
1850–2000 美國文學 美國
這不是英國文學的支流,而是一個自有傳統,有自己的關切:邊疆、奴隸制、自我重塑。美國作家清楚地意識到要寫出一種不像歐洲的文學。
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Moby-Dick
Herman Melville · 1851
出版時慘敗,七十年後被重新發現,此後成為美國文學的中心。
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Leaves of Grass
Walt Whitman · 1855–1892
自由體詩,以喧鬧的民主之聲寫成。惠特曼自費印行初版,並終其一生不斷修訂。
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Beloved
Toni Morrison · 1987
一九九三年諾貝爾文學獎。寫一位曾為奴的母親與記憶的代價——寫的正是美國迴避了一個世紀不肯正視的事。
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The Scarlet Letter
Nathaniel Hawthorne · 1850
一個女人被迫戴上通姦的標記,結果她是全鎮唯一的成年人。美國在審視自己的清教根基。
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Adventures of Huckleberry Finn
Mark Twain · 1884
一個男孩寧願下地獄也不肯把逃跑的奴隸交回去。用口語而不是文學英語寫成,此後一切都變了。
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Poems
Emily Dickinson · 1890
她去世後從抽屜裡發現近一千八百首詩,生前幾乎一首未發表,標點也沒有一處合編輯的意。
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The Great Gatsby
F. Scott Fitzgerald · 1925
一個男人年復一年辦派對,只盼一個女人走進來。當年銷量慘淡,等作者死後才成了那部「美國小說」。
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The Sound and the Fury
William Faulkner · 1929
一個家族崩塌的四種敘述,第一種出自一個分不清此刻與記憶的人之口。他本想把書頁印成不同顏色。
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Their Eyes Were Watching God
Zora Neale Hurston · 1937
佛羅里達的一位黑人女子結了三次婚,最後一次是自己選的。出版時被輕視,三十年後被重新發現,如今繞不開。
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The Grapes of Wrath
John Steinbeck · 1939
一家人被趕出俄克拉何馬的土地,一路向西開到加州,卻發現那裡早已擠滿了人。在美國若干縣被公開焚燒。
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Invisible Man
Ralph Ellison · 1952
紐約的一個黑人得出結論:他不是無名,而是無人看見。於是他住進點著一千三百六十九盞燈的地下室。
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On the Road
Jack Kerouac · 1957
打在一卷約三十六米長的紙上,好讓作者不必停下來換紙。垮掉的一代的奠基文本。
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To Kill a Mockingbird
Harper Lee · 1960
亞拉巴馬的一場強姦案審判,由一個六歲孩子看見。它是美國學校指定閱讀最多的書之一,也是被要求下架最多的書之一。
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The Bell Jar
Sylvia Plath · 1963
一個有才華的女學生在紐約的暑期實習中垮掉。出版於作者自殺前一個月,用的是化名。
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Gravity's Rainbow
Thomas Pynchon · 1973
戰時歐洲的火箭、偏執與四百個人物。評審團把一項大獎給了它,評獎機構的董事會隨後拒絕認可。
1958 đến nay 世界英語與後殖民文學 奈及利亞 · 印度 · 加勒比 · 南非 · 愛爾蘭 · 加拿大 · 澳洲
英語在這裡不再屬於英格蘭。作家使用帝國留下的語言,並用它以另一種方式重述歷史。一九五〇年以來最重要的英語作品,有很大一部分出自這裡。
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Things Fall Apart
Chinua Achebe · 1958
奈及利亞。從內部講述殖民到來前後的伊博社會。這是世界上流傳最廣的非洲小說。
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Midnight's Children
Salman Rushdie · 1981
印度。以在獨立那一刻午夜出生的孩子來講述印度獨立史。書中的英語被彎折成印地語與烏爾都語的節奏。
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Omeros
Derek Walcott · 1990
加勒比的聖露西亞。一九九二年諾貝爾文學獎。把荷馬安置於加勒比漁村的史詩,英語中夾雜克里奧爾語。
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Half of a Yellow Sun
Chimamanda Ngozi Adichie · 2006
奈及利亞。寫比亞法拉戰爭的小說,作者屬於戰後出生的一代——這說明這脈文學仍在繼續。
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Wide Sargasso Sea
Jean Rhys · 1966
《簡·愛》閣樓上的瘋女人,被給了一個多米尼克的童年和一個理由。作者是多米尼克人,沉默了二十年後寫下它。
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A House for Mr Biswas
V. S. Naipaul · 1961
一個特立尼達的印度裔男人,用一輩子想擁有一棟屬於自己的房子。同一段裡既好笑又毫不留情。
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North
Seamus Heaney · 1975
用丹麥沼澤裡保存下來的屍體,去想北愛爾蘭的殺戮。回應一場戰爭而不選邊站的詩。
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Petals of Blood
Ngũgĩ wa Thiong'o · 1977
獨立後的肯亞,不過是把一群菁英換成了另一群。作者隨後被無審判關押一年,此後只用吉庫尤語寫作。
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Oscar and Lucinda
Peter Carey · 1988
兩個嗜賭的人打賭,要把一座玻璃教堂沿澳大利亞的河運上去。殖民地澳大利亞被寫成一場荒誕且註定輸掉的賭局。
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The English Patient
Michael Ondaatje · 1992
戰爭末期,義大利一棟別墅裡的四個受創之人,還有一個燒傷的男人——他的國籍就是全部的問題。
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A Fine Balance
Rohinton Mistry · 1995
印度緊急狀態時期,四個陌生人合住一間公寓。極少數不斷奪走一切、結尾卻仍然站得住的小說之一。
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The God of Small Things
Arundhati Roy · 1997
喀拉拉的一對雙胞胎,以及一套關於誰可以被愛、能被愛多少的規矩。處女作拿下布克獎,還發明了自己的英語。
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Disgrace
J. M. Coetzee · 1999
一位教授因一名學生丟了工作,搬到女兒的農場,而後種族隔離時代的南非不給他任何舒服的位置。
2020– 二〇二〇年代:仍在書寫中 英國 · 愛爾蘭 · 美國 · 南非 · 斯里蘭卡 · 匈牙利
尚未結束的十年不可能有定論式的經典名單,坦白說出這一點,比把一份臨時清單當作定論呈現更誠實。下列作品所依憑的是證據:重要獎項、廣泛的讀者,或被翻譯的記錄。
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Shuggie Bain
Douglas Stuart · 2020
二〇二〇年布克獎。一個男孩在一九八〇年代的格拉斯哥照顧酗酒的母親。
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The Promise
Damon Galgut · 2021
二〇二一年布克獎。南非。一個未被兌現的承諾,以四場葬禮講述。
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The Seven Moons of Maali Almeida
Shehan Karunatilaka · 2022
二〇二二年布克獎。斯里蘭卡。一位已死的攝影師有七夜來了結自己的事。
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Prophet Song
Paul Lynch · 2023
二〇二三年布克獎。愛爾蘭滑向極權,由一位母親的眼睛看著。
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Orbital
Samantha Harvey · 2023
二〇二四年布克獎。太空站上的一天:六名太空人,十六次日出。
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Flesh
David Szalay · 2025
二〇二五年布克獎。一個匈牙利男人的一生,以沉默來講述。
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Klara and the Sun
Kazuo Ishiguro · 2021
櫥窗裡的人造朋友望著太陽,替自己想出了一套神學。作者獲諾貝爾獎後的第一部小說。
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Demon Copperhead
Barbara Kingsolver · 2022
把《大衛·科波菲爾》搬到阿帕拉契山區的鴉片危機裡。二〇二三年與他人並列獲普立茲小說獎。
按年齡挑選的書單,小說與非虛構並列。廣泛閱讀所建立的詞彙量,任何詞表都替代不了。
小學 約 6–11 歲——短句、插圖,先讓人願意讀下去。 27 本
小說
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Charlotte's Web · 1952
E. B. White
A pig and a spider, and the plainest prose in children's literature. White's sentences are taught in writing courses for a reason: short, exact, nothing wasted.
About 180 pages. The last chapter undoes a lot of grown adults.
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The Tale of Peter Rabbit · 1902
Beatrix Potter
The first book many English-speaking children read alone. Short, illustrated, and Potter never dumbs the vocabulary down — children meet exert and implored here.
Under 30 pages. Ten minutes read aloud.
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The Story of Ferdinand · 1936
Munro Leaf
A bull who will not fight and only wants to sit and smell the flowers. The shortest book here, and not remotely the smallest idea.
About 70 sentences. Readable by a child still sounding words out.
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Frog and Toad Are Friends · 1970
Arnold Lobel
Five very short stories about two friends. The sentences are short enough that a beginner reads a whole page without a dictionary — and that feeling matters more than any lesson.
About 64 pages, large type. The right first book if you have never finished one in English.
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The Tale of Despereaux · 2003
Kate DiCamillo
A small mouse who can read and believes in fairy tales. DiCamillo writes short sentences with a lovely rhythm, and she addresses the reader directly.
About 270 pages, in very short chapters.
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Because of Winn-Dixie · 2000
Kate DiCamillo
A girl and the dog she finds in a supermarket. The narration is a real child’s voice, so the language is simple without being babyish.
About 180 pages. An afternoon’s reading.
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Holes · 1998
Louis Sachar
Three stories a century apart lock into one. The structure is clever enough for adults, while the language stays easy.
About 230 pages. Good for readers who like a puzzle.
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Matilda · 1988
Roald Dahl
A girl who reads the whole library before starting school. Dahl never talks down to children, and he plays with words constantly.
About 240 pages. Dahl invents words; do not look them up, just keep going.
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The BFG · 1982
Roald Dahl
A giant who gets grammar wrong on purpose. Usefully so: you have to know the correct sentence to see the error, so it teaches grammar without a lesson.
About 200 pages. Not the first book to read if your grammar is still shaky.
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Wonder · 2012
R. J. Palacio
A boy with a facial difference starts school, narrated in turn by several people. Each section changes voice, which trains you to hear the difference between narrators.
About 315 pages, in short chapters.
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The One and Only Ivan · 2012
Katherine Applegate
Narrated by a gorilla living in a shopping mall. Very short sentences and a lot of white space — the easiest read in this group.
About 300 pages but sparsely set; it is much shorter than it looks.
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The Wild Robot · 2016
Peter Brown
A robot washes up on a wild island and must learn to live with animals. Simple sentences, chapters of two or three pages.
About 280 pages. There is an animated film if you want to preview it.
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New Kid · 2019
Jerry Craft
A graphic novel about a Black boy moving to a mostly white private school. The pictures carry much of the meaning, so there is little text and no loss of sense.
About 250 illustrated pages. The first graphic novel to win the Newbery Medal.
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When You Trap a Tiger · 2020
Tae Keller
A Korean American girl bargains with a tiger out of her grandmother’s folk tales. It speaks directly to Asian readers about keeping or losing a mother tongue.
About 300 pages. Newbery Medal 2021.
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The Last Cuentista · 2021
Donna Barba Higuera
Earth is about to be destroyed and a girl is the only one who still remembers the stories. About why losing your stories means losing a people.
About 320 pages. Newbery Medal 2022.
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Amari and the Night Brothers · 2021
B. B. Alston
Magic, a secret bureau, and a girl looking for her missing brother. If you liked Harry Potter, this is the next thing to read.
About 400 pages, but it moves fast.
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The Eyes and the Impossible · 2023
Dave Eggers
Narrated by a free dog who runs a park and considers himself its eyes. Fast, funny, and written in startlingly short sentences.
About 250 pages. Newbery Medal 2024.
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The Iron Man · 1968
Ted Hughes
An iron giant walks out of the sea. Hughes was a poet, so every sentence has a beat; read it aloud and you hear it.
About 100 pages. The first chapter is among the finest openings in children’s literature.
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Sarah, Plain and Tall · 1985
Patricia MacLachlan
A woman answers an advertisement for a wife and comes to live with a family on the prairie. Very short, very clean sentences.
About 60 pages. Newbery Medal 1986.
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El Deafo · 2014
Cece Bell
A graphic memoir by a girl who is deaf. The panels show what imperfect hearing is like in a way prose cannot.
About 240 illustrated pages.
非虛構
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Everything You Need to Know About Snakes · 2016
DK
A photographic reference from the DK Eyewitness line. Children read non-fiction out of curiosity rather than duty, and that curiosity teaches vocabulary faster than any coursebook.
Designed to be dipped into, not read in order.
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A Child's Garden of Verses · 1885
Robert Louis Stevenson
Poems for children. Verse teaches the rhythm of English in a way prose cannot, and rhythm is the thing Vietnamese learners most often lack when they speak.
Meant to be read aloud. Read silently it loses half its point.
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Hidden Figures (Young Readers Edition) · 2016
Margot Lee Shetterly
The Black women mathematicians who computed trajectories for NASA. Science, told as story.
About 230 pages. Plenty of aerospace terms, all of them explained.
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Ada Twist, Scientist · 2016
Andrea Beaty
A rhyming picture book about a girl who questions everything. The rhyme lets a beginner hear the rhythm of English.
About 32 pages. Read it out loud.
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Grand Canyon · 2017
Jason Chin
A large-format picture book on the geology of the canyon. Its cutaway pages show geological time better than any paragraph could.
About 56 pages. Beautiful, and genuinely informative.
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Who Was Albert Einstein? · 2002
Jess Brallier
A short biography from a series that now runs to hundreds of titles. The real benefit is that once you finish one, the next follows the same pattern and gets easier fast.
About 100 pages. The series includes Marie Curie, Gandhi and Anne Frank.
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A Kids Book About Racism · 2019
Jelani Memory
Very little text, a sentence or two a page, on a hard subject said plainly. It shows that simple English can carry serious content.
About 60 pages. Ten minutes.
國中 約 11–15 歲——更長的故事、更複雜的人物,觀念開始有分量。 25 本
小說
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The Giver · 1993
Lois Lowry
A society that abolished suffering by abolishing choice. The sentences are plain; the idea is not.
About 180 pages. The best way into dystopian fiction.
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The Hobbit · 1937
J. R. R. Tolkien
A treasure hunt undertaken by a homebody. Tolkien writes as though telling it aloud by a fire, so its length never tires.
About 300 pages. The vocabulary is older than you expect.
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The Lightning Thief · 2005
Rick Riordan
Greek myth relocated to modern America, narrated by a wisecracking teenager. The dialogue is close to real spoken English.
About 375 pages. Five books in the series; finishing them builds real fluency.
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Coraline · 2002
Neil Gaiman
A door into a house just like her own, where her parents have buttons for eyes. Short, frightening, and very cleanly written.
About 160 pages. Genuinely frightening; not a bedtime book.
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A Monster Calls · 2011
Patrick Ness
A boy whose mother is seriously ill, and a monster who comes to tell him three stories. Short lines with the rhythm of poetry.
About 240 illustrated pages. Sad, but never sentimental.
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The Hunger Games · 2008
Suzanne Collins
Present tense, first person, every chapter ending on a hook. Engineered so you cannot put it down, which makes it ideal for building a reading habit.
About 375 pages. It is violent.
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Long Way Down · 2017
Jason Reynolds
The whole book is in free verse, taking place across sixty seconds in a lift. Very few words, every one of them earning its place.
About 300 pages, but you will finish it in an hour.
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The Crossover · 2014
Kwame Alexander
A verse novel about twin brothers and basketball. The rhythm imitates the game, which is an excellent way to hear English stress.
About 240 pages. Newbery Medal 2015.
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Front Desk · 2018
Kelly Yang
A Chinese immigrant girl runs the front desk of her parents’ motel. Drawn from life, and honest about learning a new language as a child.
About 290 pages. Especially apt if English is your second language.
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Ground Zero · 2021
Alan Gratz
Two storylines twenty years apart, one in New York in 2001 and one in Afghanistan in 2019. Short chapters, constant cutting.
About 320 pages. Contains scenes of war.
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The Marvellers · 2022
Dhonielle Clayton
A magic school in the sky drawing on magical traditions from around the world rather than only Europe. A wide, fresh setting.
About 400 pages. First of a trilogy.
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The Outsiders · 1967
S. E. Hinton
Two teenage gangs in Oklahoma. Hinton wrote it at sixteen, and the voice is exactly that age.
About 190 pages. 1960s slang, but easy to infer.
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Refugee · 2017
Alan Gratz
Three refugee children in three eras — Germany 1938, Cuba 1994, Syria 2015 — and three storylines that finally touch.
About 340 pages, in very short chapters.
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Ghost · 2016
Jason Reynolds
A boy who runs well because he is used to running away. Reynolds writes in real spoken English, and he writes for children who do not like reading.
About 180 pages. First of four.
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The Book Thief · 2005
Markus Zusak
Nazi Germany, narrated by Death. That choice makes a familiar subject strange again.
About 550 pages, but short sentences and plenty of white space.
非虛構
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Bomb: The Race to Build the World's Most Dangerous Weapon · 2012
Steve Sheinkin
The making of the atomic bomb told as a thriller — spies, sabotage, and men genuinely frightened of what they had made.
About 270 pages. Non-fiction that reads at the speed of a novel.
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The Boy Who Harnessed the Wind · 2009
William Kamkwamba & Bryan Mealer
A Malawian boy drops out of school when the money runs out, teaches himself from library books and builds a windmill for his village. He tells it himself, in English.
About 300 pages. A young readers' edition exists.
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The Diary of a Young Girl · 1947
Anne Frank
The diary of a thirteen-year-old hiding in an Amsterdam attic. It is the writing of someone learning to write, and therefore easy to follow.
About 350 pages. Read it with some historical context to hand.
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I Am Malala (Young Readers Edition) · 2014
Malala Yousafzai
The Pakistani girl shot for going to school. The young readers’ edition trims the politics and keeps the story.
About 230 pages.
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Brown Girl Dreaming · 2014
Jacqueline Woodson
A memoir in verse about a 1960s childhood in the American South. Each poem is one memory, so it reads well in fragments.
About 340 pages, very sparsely set.
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Fallout · 2021
Steve Sheinkin
The Cuban missile crisis told hour by hour. Same author as Bomb, and the same driving pace.
About 350 pages.
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Born a Crime (Young Readers Edition) · 2019
Trevor Noah
A childhood in apartheid South Africa, told very funnily. Noah speaks six languages and writes brilliantly on how language decides which group accepts you.
About 300 pages. The chapter on language is worth reading on its own.
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Sapiens: A Graphic History, Volume 1 · 2020
Yuval Noah Harari
The graphic adaptation of Sapiens. The pictures carry much of the argument, so the ideas stay hard while the text stays short.
About 250 pages in full colour.
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The Immortal Life of Henrietta Lacks (Young Readers Edition) · 2013
Rebecca Skloot
A poor Black woman’s cells were taken without consent and became the basis of modern medicine. Scientific ethics told through one family.
About 300 pages.
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Chasing Space (Young Readers Edition) · 2017
Leland Melvin
A professional footballer is injured and becomes a NASA astronaut. About changing direction when the first plan fails.
About 190 pages.
高中 約 15–18 歲——文字更難、題材成人,讀是為了思考而非只為知道結局。 27 本
小說
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Nineteen Eighty-Four · 1949
George Orwell
The novel that put doublethink and Big Brother into everyday English. Orwell wrote prose so clear he set down the rules for it: never use a long word where a short one will do.
About 330 pages. Do not skip the appendix on Newspeak.
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Things Fall Apart · 1958
Chinua Achebe
Igbo society before and after the British arrived, told from inside it. Necessary because most of the English literature students meet is written from the other side.
About 210 pages. Full of Igbo proverbs rendered straight into English.
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Of Mice and Men · 1937
John Steinbeck
Two migrant workers looking for a patch of land of their own. Short, largely dialogue, and Steinbeck’s sentences are worth imitating.
About 110 pages. The shortest book in this band.
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To Kill a Mockingbird · 1960
Harper Lee
A trial in the American South seen through the eyes of a six-year-old looking back. The child’s voice keeps the language easy while the content is not.
About 320 pages. The Southern dialect slows you down at first.
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Animal Farm · 1945
George Orwell
A fable about revolution, written in the plainest English Orwell could manage — and he did that deliberately.
About 110 pages. The easiest way into Orwell.
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Lord of the Flies · 1954
William Golding
Boys marooned on an island organise themselves and then destroy themselves. The nature description is dense; the rest moves fast.
About 220 pages.
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Never Let Me Go · 2005
Kazuo Ishiguro
Three friends grow up at a strange boarding school. Ishiguro writes flatly, and the flatness is what makes it hurt.
About 290 pages. Nobel laureate 2017.
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The Kite Runner · 2003
Khaled Hosseini
Friendship and betrayal in Kabul before and after the Taliban. The story pulls hard.
About 370 pages. Contains severe violence.
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Klara and the Sun · 2021
Kazuo Ishiguro
Narrated by an artificial friend observing humans she does not fully understand. The sentences are deliberately simple because the narrator’s thinking is.
About 300 pages. Far easier to read than it is to think about.
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The Vanishing Half · 2020
Brit Bennett
Twin Black sisters, one of whom goes on living as a white woman. About identity, and the cost of denying where you came from.
About 350 pages.
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Homegoing · 2016
Yaa Gyasi
One generation per chapter, from eighteenth-century Ghana to modern America. That structure makes it easy to read in pieces.
About 300 pages.
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Piranesi · 2020
Susanna Clarke
A man lives in an endless house of statues and tides. Short, strange, and beautifully clear.
About 250 pages, written as a journal.
-
Fahrenheit 451 · 1953
Ray Bradbury
A society that burns books. Bradbury writes highly figurative prose that sometimes shades into poetry.
About 190 pages. Denser in metaphor than it looks.
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The Handmaid’s Tale · 1985
Margaret Atwood
A theocracy in America strips women of everything. Atwood has said she put nothing in it that had not happened somewhere.
About 310 pages. The appendix changes how you read the whole book.
-
Pachinko · 2017
Min Jin Lee
Four generations of a Korean family in Japan. Especially apt for Asian readers: it is about being a minority next door to your own homeland.
About 490 pages. Plain sentences, short chapters.
-
Normal People · 2018
Sally Rooney
Two young Irish people fall in and out of love across four years. Rooney uses no quotation marks for speech; you adjust within pages.
About 270 pages.
非虛構
-
A Short History of Nearly Everything · 2003
Bill Bryson
The whole of natural science told as gossip — cosmology, geology, evolution. Bryson is funny without ever being unserious.
About 550 pages. The chapters stand alone.
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The Elements of Style · 1959
Strunk & White
Under a hundred pages on writing an English sentence cleanly. If you are sitting IELTS Writing, this is the highest value-per-page book you will find.
Thin, but meant to be read slowly and applied.
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Educated · 2018
Tara Westover
The memoir of someone who did not set foot in a classroom until seventeen and finished with a Cambridge doctorate. About how education can separate you from your family.
About 340 pages.
-
Between the World and Me · 2015
Ta-Nehisi Coates
A letter to his son about living in a Black body in America. The prose is beautiful and demanding: long sentences, many layers.
About 150 pages, but slow going.
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Sapiens: A Brief History of Humankind · 2011
Yuval Noah Harari
The whole history of our species in one volume. Some of the argument is contested, but the prose is exceptionally clear.
About 450 pages. It works read a chapter at a time.
-
Why We Sleep · 2017
Matthew Walker
The science of sleep, written for a general reader. Aptly aimed at students staying up to revise.
About 360 pages. Some of its stronger claims have been contested since.
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Crying in H Mart · 2021
Michelle Zauner
A memoir about a mother, about grief, and about Korean food as a way of holding on to half an identity. Especially apt if you grew up between two cultures.
About 240 pages.
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Braiding Sweetgrass · 2013
Robin Wall Kimmerer
A Native American botanist writes about plants through both science and traditional knowledge. Slow, lovely sentences.
About 390 pages. Read it one essay at a time.
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The Sixth Extinction · 2014
Elizabeth Kolbert
On the mass extinction now under way. Kolbert reports from the field, so it stays concrete rather than abstract.
About 320 pages. Pulitzer Prize 2015.
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Thinking, Fast and Slow · 2011
Daniel Kahneman
Two systems of thought, by a Nobel laureate in economics. Demanding, but it changes how you watch your own mind work.
About 500 pages. Several of its studies later failed to replicate.
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An Immense World · 2022
Ed Yong
On how animals sense the world through faculties we lack. Beautifully written, and genuinely enlarging.
About 450 pages.
成人 長度與難度不設上限——值得反覆重讀的那些。 28 本
小說
-
The Great Gatsby · 1925
F. Scott Fitzgerald
A mysterious rich man throws parties waiting for one woman. Under two hundred pages, and every sentence is built to be read aloud.
About 180 pages. The sentences outshine the plot.
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Beloved · 1987
Toni Morrison
A formerly enslaved mother and the cost of having survived. Morrison's sentences demand a great deal and return more.
About 320 pages. Not a book to skim.
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Mrs Dalloway · 1925
Virginia Woolf
One day in London, with thought sliding between people mid-sentence. Hard, but this is where the modern novel begins.
About 200 pages. Read slowly, and do not worry about getting lost.
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The Remains of the Day · 1989
Kazuo Ishiguro
An English butler recounts his life while admitting nothing. A masterclass in the unreliable narrator.
About 260 pages. Booker Prize 1989.
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Americanah · 2013
Chimamanda Ngozi Adichie
A Nigerian woman goes to America and comes back. Sharp on accent and identity: you become someone else when you change how you speak.
About 480 pages.
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Small Things Like These · 2021
Claire Keegan
An Irish coal merchant discovers what is happening in the local convent. Very short, with nothing wasted.
About 120 pages. The perfect one-evening novel.
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Shuggie Bain · 2020
Douglas Stuart
A boy cares for his alcoholic mother in 1980s Glasgow. Booker Prize 2020. The Scots dialogue is thick.
About 430 pages. Emotionally punishing.
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The Promise · 2021
Damon Galgut
A white South African family and a promise not kept, told across four funerals. Booker Prize 2021.
About 290 pages. The point of view slides constantly, on purpose.
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The Seven Moons of Maali Almeida · 2022
Shehan Karunatilaka
A dead photographer has seven nights to settle his affairs, in the Sri Lankan civil war. Booker Prize 2022.
About 400 pages. Narrated in the second person.
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Prophet Song · 2023
Paul Lynch
Ireland slides into totalitarianism, seen by one mother. Booker Prize 2023. No paragraph breaks for dialogue, which makes it hard going.
About 320 pages. Deliberately suffocating.
-
Orbital · 2023
Samantha Harvey
A day on a space station: six astronauts, sixteen sunrises. Booker Prize 2024. Almost plotless — it is really a long poem.
About 140 pages. The shortest recent Booker winner.
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Flesh · 2025
David Szalay
The life of a Hungarian man told through the silences between events. Booker Prize 2025.
About 350 pages. Very sparse dialogue.
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Demon Copperhead · 2022
Barbara Kingsolver
David Copperfield relocated to Appalachia during the opioid crisis. Pulitzer Prize 2023. A very strong narrating voice.
About 550 pages. Long, but the voice carries you.
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Trust · 2022
Hernan Diaz
Four contradictory documents about the same New York financier. Pulitzer Prize 2023. You decide who is telling the truth.
About 400 pages. Each section is written in a wholly different style.
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Tomorrow, and Tomorrow, and Tomorrow · 2022
Gabrielle Zevin
Thirty years of friendship between two video game designers. The easiest read in this band.
About 400 pages.
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A Little Life · 2015
Hanya Yanagihara
Four friends in New York across decades. Notorious for its brutality — check the content warnings first if you are sensitive.
About 720 pages. The longest book on this list.
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Girl, Woman, Other · 2019
Bernardine Evaristo
Twelve British women, most of them Black, a chapter each. Written almost without conventional punctuation.
About 450 pages. Joint winner of the Booker Prize 2019.
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The Nickel Boys · 2019
Colson Whitehead
A Florida reform school, based on a real one. The prose is restrained, and the restraint is what makes it land.
About 210 pages. Pulitzer Prize 2020.
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Lincoln in the Bardo · 2017
George Saunders
Told entirely in fragments of speech from the dead and stitched historical quotation. Odd enough that it takes a few chapters to settle.
About 340 pages. Booker Prize 2017.
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The Overstory · 2018
Richard Powers
Nine people and the trees that bind their lives. It opens as nine short stories and then becomes one.
About 500 pages. Pulitzer Prize 2019.
非虛構
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Silent Spring · 1962
Rachel Carson
The book that started the modern environmental movement. Carson was a marine biologist who wrote like a poet and changed a country's law.
About 300 pages. The first chapter reads like a short story.
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On Writing · 2000
Stephen King
Half memoir, half manual. Its advice on sentences applies just as well if English is your second language.
About 290 pages. Surprisingly easy.
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Being Mortal · 2014
Atul Gawande
A surgeon on ageing and death, and on how medicine often treats the wrong problem. Clear and calm.
About 280 pages.
-
Say Nothing · 2018
Patrick Radden Keefe
A 1972 disappearance opens onto the whole of the Northern Irish conflict. Non-fiction at thriller pace.
About 450 pages.
-
Empire of Pain · 2021
Patrick Radden Keefe
The Sackler family and the American opioid crisis. Meticulously reported and thoroughly gripping.
About 560 pages.
-
The Anxious Generation · 2024
Jonathan Haidt
The argument that smartphones rewired adolescence. Worth reading — and so are the rebuttals, which are substantial.
About 400 pages. Researchers still dispute how much of this is causal.
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Wintering · 2020
Katherine May
On the fallow seasons of a life, and accepting rather than fighting them. Slow, lovely, short chapters.
About 250 pages.
-
The Wager · 2023
David Grann
An eighteenth-century shipwreck, a mutiny, and two irreconcilable accounts. Non-fiction told as an adventure novel.
About 340 pages.
外國人常常弄錯、直到有人點破的那些事——語言背後的習俗、禁忌與思維方式。
不存在單一的「英語文化」
英語在數十個國家是官方語言或通用語言,而如今全球大多數英語對話發生在非母語者之間。所以「說對英語」並不意味著模仿英國人或美國人。真正要緊的是讓人聽懂。以下各條聚焦於共通的慣例,只在差異真會造成誤解時才點出。
寒暄不是廢話,而是開場的儀式
開會或吃飯前,人們會花幾分鐘聊天氣、路上如何、週末怎麼過。直奔正題會顯得冷淡,在英國尤其如此。安全話題是天氣、交通、體育、電影;應避開薪水、年齡、體重和政治。其目的不是交換資訊,而是釋放善意的信號。
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「How are you?」是問候,不是提問
標準回答是「Fine, thanks — and you?」然後往下走。真去講述自己的健康或心情會讓對方不知所措,因為他並非真在問。在英國,「You alright?」同樣只是「你好」,並不暗示你氣色不好。若真想知道,人們會放慢語速再問一次。
請求被包裝成問句,祈使句聽起來很生硬
「Could you possibly send that over?」是請求,不是在問你能不能。「Send me the file」語法沒錯,落地卻像命令。緩衝詞越多——could、possibly、when you get a chance——越客氣,而英國人比美國人用得更多。來自祈使句本屬中性的語言的學習者,常常無意間顯得生硬。
輕描淡寫是英式預設,而它很容易誤導人
「Not bad」可能是很好,而英式英語裡的「quite good」往往只是尚可。「I have a few concerns」可能意味著完全反對。「With the greatest respect」通常引出一句否定。對初來者而言,最穩妥的是請對方說明,而不是猜測強度。
「Sorry」常常不是道歉
英國人在被人撞到時、要借過時、沒聽清時、以及即將表示異議前都會說 sorry。它是社交潤滑劑,而不是認錯。升調的「Sorry?」意思是「請再說一遍」。在美國,sorry 更帶認錯意味,上述情形改用「excuse me」。
排隊在英國近乎神聖
人們在公車站、收銀台和酒吧排隊,而這個次序被嚴格尊重。插隊是少數幾件會讓英國人當面與陌生人對峙的事之一。酒吧裡沒有看得見的隊列,但調酒師記得誰先到,並按這個順序服務。若不確定自己是否在隊裡,就問一句——這個問題完全正常。
個人空間比許多文化都要寬
交談時的常規距離大約是一臂之遙,站得更近會讓對方後退。剛認識的人之間接觸很有限:握手可以,搭肩或碰手臂則不行。在擁擠的車廂裡,人們迴避目光接觸以維持心理距離。對習慣了另一套身體親近尺度的越南、韓國或中國人來說,這一點值得留意。
很早就直呼名字,對上級也一樣
在多數英語環境裡,人們幾乎立刻改用名字相稱,繼續用「Mr/Ms」反而像在保持距離。這並不意味著等級消失——等級透過措辭而非稱謂來體現。學術與醫學頭銜(Professor、Dr)保留得更多。拿不準時,就沿用對方自我介紹時用的形式。
道謝的頻率遠高於許多文化
人們會向公車司機、收銀員、為你扶門的人道謝——哪怕是極小的事。家人之間也如此,這在許多文化看來客氣得有點奇怪。不說謝謝會被讀成粗魯,而不是親近。這個習慣很容易學,而且立刻改變你給人的印象。
守時很重要,但寬容度因國家和場合而異
商務會議和預約中,準時就是準時,遲到五分鐘也該道個歉。到別人家吃晚飯,在英國遲到五到十分鐘才是有禮的常規——提前到會讓主人措手不及。大型聚會則在請柬時間之後半小時到很正常。拿不準就直接問:「我幾點到比較合適?」
在美國小費近乎強制,在英國則不然
在美國,服務員靠小費生活,餐廳通行 18%–20%;一分不給會被讀作懲罰。在英國,一成左右就夠,而且許多帳單已含服務費。在英國酒吧,人們通常不按杯給小費。這是兩國之間猜錯代價最高的一處差異。
反諷與自嘲是社交工具,不是敵意
在英國、愛爾蘭和澳洲,朋友之間的輕度調侃是親近的信號,貶低自己比抬高自己更受歡迎。面對稱讚,用輕描淡寫回應通常比順著接下更穩妥。初來者有時會因本意親暱的話而覺得被冒犯。拿不準時,語氣與表情比字面內容更可靠。
薪水、年齡、體重和宗教屬於私事
問別人賺多少錢幾乎是禁忌,同事之間也一樣。問女性年齡要迴避,評論體重則完全不行。這與越南、中國和韓國正好相反,在那些地方這類問題算作關心。若對方主動說起,你可以接著聊,但不要先問。
目光接觸被讀作誠實,而非挑釁
在面試和交談中,迴避目光會被讀成缺乏自信或閃爍其詞。合適的分寸是對視幾秒再自然移開,而不是死盯。在許多亞洲文化裡,直視長輩的眼睛是不敬,所以這需要有意識地調整。握手時與對方對視,是這個動作的組成部分。
在英國酒吧,人們按「輪」為整桌買單
由一個人買下全桌的酒,下一輪換另一個人買,如此輪轉。輪到自己之前就離場是失禮的,儘管很少有人說破。如果你喝得不多,早點說明自己不參與輪次,以免誤會。多數酒吧也沒有桌邊服務——在吧台點單並當場付錢。
在英國,天氣是最安全的開場
這並不是因為英國人關心氣象,而是因為這個話題中性、人人共享,且無從爭辯。正確的回應是先附和再添一句小評論,而不是展開辯論。「Lovely day, isn't it?」期待的是「Yes, isn't it lovely」,而不是氣溫數據。這也是練習附加問句的好機會,而學習者往往跳過這塊語法。
大量習語來自體育與航海
「Ballpark figure」「touch base」「strike out」來自美國棒球;「sticky wicket」「on the back foot」來自英國板球。「Under the weather」「learn the ropes」「batten down the hatches」來自航海。這也是美國人和英國人有時完全聽不懂彼此習語的原因。在國際場合,少用習語通常讓你更好懂。
英美拼寫有系統性差異——選定一套並保持一致
colour/color、centre/center、organise/organize、travelled/traveled——這些差異有規律可循,並非隨機。兩者都不算錯,但在同一篇文件裡混用會顯得馬虎。雅思考試中兩套都接受,只要保持一致。把拼寫檢查設成你選定的那一套,讓它替你抓錯。
會議上,沉默通常被讀作沒有意見
在多數英語職場,你被期待要發言,哪怕只是表示贊同。整場會議一言不發,可能被讀成不投入或沒準備。在會上與上級意見相左是可以接受的,只要措辭得體。對於把沉默視為尊重的文化中的人來說,這是很大的調整,事先準備幾句開場話會有幫助。
沒有問候與致謝的郵件會被讀成生硬
英文郵件通常以「Hi/Dear …」開頭,加一句緩衝,再進入正事,最後以「Thanks」或「Best regards」收尾。把這些全部去掉,內容就像一道指令,儘管你並無此意。與熟悉的同事之間正式度會迅速下降,但致謝幾乎總會保留。這是學習者寫給客戶或老師時最常犯的錯誤。
沒有哪種口音是「標準」——目標是讓人聽懂
印度、奈及利亞、新加坡和蘇格蘭口音都是母語或近母語英語,沒有哪一種比倫敦口音更不正當。雅思之類考試真正評估的是可懂度,而非像不像母語者。所以要把功夫下在詞重音、語調和按意群停頓上,而不是消除母語口音。帶著口音同時說得清清楚楚,是完全好的結果。
多數英語對話發生在兩個非母語者之間
以英語為第二語言者遠多於母語者,故世上多數英語是越南人與德國人、韓國人與巴西人之間的交流。這有實際後果:清晰比習語更要緊,可懂的發音比母語口音更要緊。別以聽起來像英國人為目標——以被聽懂為目標。
直接的請求聽來像命令,縱使你並無此意
Send me the file 語法無誤,卻顯生硬;Could you send me the file? 才是常態。來自不需委婉表達之語言的學習者,常被視為粗魯而不自知。實用規則:職場上的每一個請求都加 could、would 或 please,對下屬亦然。
工作郵件有固定的開頭與結尾
以 Hi 或 Dear 起首,以 Best regards、Kind regards 或 Best 作結。Dear Sir/Madam 只用於不知姓名之時。寫 Dear Mr John 是錯的——Mr 後接姓,不接名。越南人常依母語習慣寫成 Dear Anh Nam,這是新手最明顯的標記。
職場上的委婉措辭是專業的標誌,而非缺乏自信
I think there might be an issue with the data 聽來遠比 The data is wrong 專業,儘管意思相同。這種措辭給對方留下改正而不失面子的餘地。學習者有時把委婉當作軟弱,在英語職場中恰恰相反。
批評被夾在兩句讚美之間,你得聽出中間那句
在英美的工作場合,回饋常呈「先讚、點出問題、再讚」之形。習慣直白評價的人,可能只記住兩句讚美而漏掉實質。若有人說 This is great, I just wonder if…,那麼 just wonder 之後的部分才是正題。
End of day 與 as soon as possible 的含義比你以為的具體
EOD 通常指收件人當天下班之前,而非午夜。ASAP 措辭客氣,實則表示緊急。No rush 意為仍須完成,只是不急——不等於可以不做。拿不準時,直接問一個具體的日期與時間;這樣問會被視為專業。
在會議上,沉默被理解為沒有意見
在許多亞洲場合,資歷淺者等著被點名。在英語會議中,不發言者通常被記作沒有貢獻,縱使心中已有明確看法。若你需要時間思考,就說出來:Can I come back to that in a moment? 是完全正常的一句話。
冠詞是越南人最頑固的錯誤,因為越南語沒有冠詞
越南語中沒有任何依據可用來推斷何時用 a、何時用 the、何時什麼都不用。這是存留最久的錯誤,即便到了高水平也仍在。有效的對策不是再學規則,而是大量而留意地閱讀——因為冠詞的用法多半是習慣而非邏輯。
詞尾輔音必須發出來,這決定別人是否聽懂你
越南語不釋放詞尾輔音,故越南人常把 like 說成 lie、cats 說成 ca。對聽者而言,那不是口音,而是資訊缺失——複數與過去式都在那裡。這是最值得投入的發音要點,勝過糾正母音。
英語是重音計時,越南語是音節計時
英語中,重讀音節之間的間隔大致相等,非重讀音節被壓縮成中央元音。越南人把每個音節讀得一樣重,聽來像機器。改這一點對可懂度的提升,遠大於逐個糾正母音。
有些英語詞進入越南語後意思變了
越南語有來自 sentimental 的 sến、來自法語 gare 的 ga,並以 tuýp 表示「某類人」的 type。反之,combo、check、confirm 等詞在越南語中的用法與英語原義略有出入。說英語時,別把這些詞按越化的意思借回去。
英語學術寫作先說結論,而非留到最後
英語段落以主題句開頭點明要點,隨後展開解釋。東亞的若干寫作傳統恰恰相反:先鋪墊,後作結。英語的評閱者按自己的習慣來讀,故迂迴的結構即便論證無誤,也會被判為不連貫。
不註明出處的抄襲是嚴重違規,哪怕只有一句
在英美澳的大學,抄襲可能導致課程不及格甚至開除,查重軟體已屬常規。而在另一些學術傳統中,沿用權威的原話被視為敬重。這一差異,正是眾多國際學生受紀律處分的真實緣由。
直呼上司的名是常態,用職銜反倒奇怪
在英美澳的多數公司,無論職級,人人以名相稱。在內部說 Mr Smith,聽來疏遠或帶諷。這對越南、韓國、日本的使用者很難,因為在母語中那近乎不敬——但在此地,不這麼做才顯得反常。
英語不只有英式與美式
澳洲、紐西蘭、加拿大、愛爾蘭、蘇格蘭、新加坡與印度的英語,各有其發音、詞彙乃至拼寫的規範。印度英語使用者眾多,也有完全成立的自有說法。擇一標準來學,但別把其餘視為錯誤。
髒話的輕重差別極大,學習者容易用錯檔次
有些詞在英國相當輕,在美國卻極重,反之亦然。從影視裡撿詞的學習者,往往學到最重的那些,卻毫無分量感。穩妥的原則是:聽懂即可,在你身處該環境足夠久、能聽出層次之前,別自己用。
在越南尋常的問題,在這裡屬於私事
問薪水、年齡、體重、婚姻狀況,或為何還沒孩子,在越南是尋常寒暄,在多數英語國家卻顯得冒犯。這不是冷漠,只是隱私的界線畫在別處。安全的話題:工作、旅行、電影、體育、天氣。
受到稱讚時說謝謝,不要否認
在漢語與越南語中,推辭稱讚是謙遜。在英語裡,一再否認會讓稱讚者尷尬,彷彿他說錯了話。標準的回應就是 Thank you,可再加一句短的:Thank you, I worked hard on it。
按越南語的方式回答否定問句,意思會顛倒
被問 You didn’t finish it, did you?——若你沒做完,英語答 No,意為「沒有,我沒做完」。越南語則傾向以「是」來確認對方說得對。直譯成 Yes,聽者會以為你已完成。這是小錯,卻在職場上造成實際後果。
英國人說 please 與 thank you 比美國人更頻繁
在英國,人們下車時會謝公車司機,幾乎每個請求都帶 please。在美國頻率較低,友善以別的方式表現——招呼更開放,更早以名相稱。二者無所謂誰更禮貌;只是禮貌的標記落在不同處。
We should get coffee sometime 通常不是真的邀約
這是友好的收尾套話,很像越南語裡那句「改天一起吃飯」。真正的邀約帶有日期、時間,或至少一個具體提議:Are you free Thursday? 若你想把客套變成實約,自己提一個日子即可——這完全可以接受。
履歷不附照片、不寫年齡、不寫婚姻狀況
在英美澳加,履歷中寫入這些資訊可能使雇主面臨歧視方面的法律風險,因而這類履歷常被擱置。這與越南、韓國、日本恰恰相反,那裡照片是必需的。若兩地都投,請備兩份不同的履歷。
面試時,主動陳述自己的成就是被期待的
來自崇尚謙遜之文化的應徵者,常說「我們做了」而非「我做了」,因而被評為貢獻有限。常用的框架是 STAR:情境、任務、你的行動、結果。說清自己的那一份不是自誇,而是在回答所問。
有些道歉並不承認過錯
I’m sorry you feel that way 聽著像道歉,實則不擔任何責任,母語者一聽即明。相較之下,I’m sorry, that was my mistake 才是真正的認錯。在職場爭議中,這一分別至關緊要——誤用前者會讓事情更糟。
自嘲是拉近關係的方式,而非自貶
尤其在英國、澳洲與愛爾蘭,人們拿自己開玩笑以顯得平易近人。不諳此道的聽者,可能當真以為對方自卑,或更糟——附和那句自貶。正確的回應是笑一笑、輕輕回一句玩笑,而非出言安慰。
主人會問你的飲食忌口,直說即可
在多數英語國家,餐前詢問過敏、素食或宗教忌口是標準的禮貌。明明有忌口卻說 anything is fine,給主人添的麻煩更大。在這一點上,東方式的客氣反而為主人添難。
選定一套拼寫體系,並在同一文件中保持一致
colour 或 color、organise 或 organize、centre 或 center——兩者皆對,但在同一文件中混用則顯草率。請把軟體的校對語言設為你所選的體系。若是投給某所學校或某家公司,就依其慣例。
03/04 可能是四月三日,也可能是三月四日,視國家而定
英國與世界大部分地區把日寫在月之前;美國則月在前。此種混淆確實造成誤約與誤期。國際往來中穩妥的做法是把月份寫成詞:3 April 2026 或 April 3, 2026——都不會被誤讀。
外國口音不是錯誤,目標也不是消除它
成年後學語言的人幾乎都會保留一些母語口音,這並不妨礙什麼。該改的是那些讓人聽不懂的地方——詞尾輔音、詞重音、句重音。世上許多英語極出色者都帶著明顯口音,無人以此相責。
請人再說一遍是常事,且有多種客氣的說法
裝懂點頭是最常見的錯誤,後果也最深遠。穩妥的說法有:Sorry, could you say that again?、I didn’t catch that、Do you mean…? 最後一句尤其有用,既求確認,也顯出你已聽懂到哪一步。
按技能劃分的備考策略,並依你實際目標分數分層。
雅思聽力:所有題型及各自的備考方法
錄音只播放一次。這一個事實統轄整張卷子,所有值得學的技巧都是它的推論。
雅思口說:三個部分及各自的備考方法
三個部分不是同一項任務的三個難度層級。它們考的是不同的東西——在 Part 1 拿分的答案長度,到 Part 3 就會讓你丟分。
雅思寫作:Task 1 與 Task 2 的所有題型及備考方法
Task 2 的分量是 Task 1 的兩倍。所以你做的最要緊的決定不是想出一個好詞組,而是在第二十分鐘停下 Task 1。
雅思閱讀:全部十四種題型及備考方法
與聽力不同,閱讀沒有謄寫答案的時間。六十分鐘就是全部,而這一個事實決定了所有值得掌握的戰術。
刷題之前先自測的 20 個問題
如果這些問題你還答不上來,再刷十套題也只是把同樣的錯誤重複得更快。
小學生一步步衝擊雅思 8.5–9.0 的路線圖
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為雅思建立讀與寫的習慣
有人做了四十套模擬題,還是停在 6.5。問題很少出在不熟悉題型。本文把學習者常混為一談的兩個目標拆開——熟悉考試和提高英語——並...
建立在閱讀與複習引擎之上的引導式、結構化練習。
英文字根、對越南學習者最困難的部分,以及英文與越南文文法的交會點。
英語的發展史
你學的不是一門語言,而是四層沉積加上一次印刷史上的意外。本文倒著講這段歷史,從讓學習者惱火的地方開始——並指出一個越南人獨...
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電話、民主、心理學——你每天都在讀希臘語,只是沒察覺。真正意外的是:大多數所謂的「希臘語單字」,從來沒有在希臘存在過。本文...
英文與越南文語法的交會與分歧
對越南語母語者來說,英文語法有些部分感覺很熟悉,有些則像顛倒過來。這是一份清晰的語法地圖,標示出兩種語言語法的重疊之處(...
越南語母語者學習英文最難克服的痛點
英文常在一些可預測的點上讓越南語母語者跌倒——這正是兩種語言結構截然不同之處。本文將探討最難克服的發音與文法障礙(字尾輔音...
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你永遠無法一次只背一個英文單字——而且你也不需要這麼做。拉丁語和希臘語的字根、前綴和後綴,如何讓學習者僅憑幾百個構詞部件,...